Using (a) repertoire of symbolic and expressive elements, John Robinson’s paintings and prints develop richly evocative responses to the nature of the land, of life and of our experience.
Although they possess considerable visual appeal, they are never purely decorative. There is always a departure point, a cue to suggest further contemplation, an invitation to speculate on and to consider the issues that have generated these images and that, embodied in symbol and emotional evocation, are contained within them.
Energy as the ever present, always changing, all embracing factor, to be pursued in a search for truth and meaning, locates these works within the domain of philosophy, a visual parallel to one of the eternal quests, an understanding of the nature of the universe.
Bernard Hoffert 1988